We learned of Ivan Kiwuwa from Dr. William H. Chapman Nyaho, pianist, professor and music editor. Born in the U.S. and raised in Ghana, he is profiled at AfriClassical.com We soon found Dr. Chapman Nyaho’s high opinion of Ivan’s musical talents to be widely shared by audiences and critics.

Nicola Lisle interviewed Ivan Kiwuwa for the article “A Passion for the Piano” in The Oxford Times, May 31, 2007:

Meeting Ivan Kiwuwa is an extraordinary experience. At just 23 years of age, he oozes maturity and self-assurance, and talks about his music with passion and authority. His enthusiasm is infectious, and it is impossible not to be charmed by this young man, who is clearly hovering on the cusp of international stardom.

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For Ivan, this talent took root and blossomed in a most unlikely setting. He was born in Uganda in 1983, into a country steeped in traditional African music with little western influence. But he was lucky enough to live close to Kampala Cathedral, one of the few places in Uganda that has a tradition of serious classical music, and he joined the choir at the age of eight, later rising to head chorister.

“I joined the choir mainly because my friend was already a choirboy there,” he recalled. “It’s one of the very few places where this kind of music happens due to the legacy left by the missionaries. So that’s where the classical tradition is, and people go there to practise serious music.”

When Ivan’s voice broke at the age of 13, he turned to the piano; initially out of curiosity, rather than a conviction that this was the instrument for him.

“I guess every child would be curious at seeing other people playing something,” he said. “But, for me, it was made more intense by needing something else to do. I had to grab hold of something and the piano was an instrument I knew about, so I thought I’d try it.”

Ivan began studying with Fiona Carr, and a year later took up the violin as well, studying with Isabel Turner. But, despite the fact that he clearly had a natural talent, he received surprisingly little encouragement from family and friends.

“At the beginning, as a choirboy, I had a bit of encouragement from my family, but later on, when I decided to learn and take the piano seriously, it was the opposite, I have to say. It was discouraged because it’s not recognised; it’s not in the culture.

“My family thought this was taking time out of my normal school and hence was destroying my future, a view which was strongly shared by my school teachers. So I had an uphill struggle. My family even now don’t understand what I do.”

Ivan was soon to prove them all wrong. Before he reached his 16th birthday, his talent had been spotted at a masterclass with Maxim Vengerov, and he made his concert debut in Germany shortly afterwards, performing Bach’s Double Violin Concerto with Vengerov and the Essen Philharmonic Orchestra. The offer of a full scholarship to Wells Cathedral School swiftly followed and he remembers his time there with great fondness.
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In 2003, Ivan was awarded a full scholarship to the Guildhall School of Music and Drama, where he is now in his final year as an undergraduate and he has already accepted a place on a post-graduate masters course.

He has won numerous prizes and given solo recitals at the Purcell Room and at the National Theatre in Nairobi.
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“I love composers which my personality and my temperament most naturally associate with, and I think those composers tend to be mainly German and Viennese – Beethoven, Haydn, Mozart, Schubert and Mendelssohn. Beethoven, I think, is the hardest composer to play on the piano, but I love the challenge.”

On June 13, 2007, The Oxford Times printed a glowing review, “Ivan Kiwuwa, Jacqueline du Pre Music Building”:

From the moment he stepped on to the platform, and noticeably prepared himself mentally before sinking his fingers on to the keys, it was clear we were about to witness something very special; the public unveiling of a new, phenomenal talent.

Schubert’s Impromptus Nos. 1 and 2 from Opus 90 were a perfect taster, the first dramatic and exciting, the second restless and full of rhythmic gymnastics. In the programme, Kiwuwa notes that the accessibility of these sonatas has made them a favourite with amateur pianists, but few amateurs, I am sure, would dispense them with such technical dexterity and mastery, best displayed in the shifting textures and harmonies.

Then came a radiant account of Mendelssohn’s Sonata in E major, its lyrical quality explored with eloquence and assurance. Two more Schubert Impromptus opened the second half, and the evening was brought to a close with Beethoven’s Sonata opus 110 in A flat major, its contrasting moods allowing Kiwuwa to give full rein to his musical energy and virtuosity.

This was an exhilarating and enthralling programme, given by a brilliant but seemingly unassuming young man, who is clearly destined for international stardom. From the moment he starts to play, Kiwuwa becomes completely engrossed in the music, which he imbues with passion, sensitivity and sincerity, giving a deeply committed and informed interpretation and displaying an extraordinary empathy with the composer. Absolutely wonderful.

Pianos For Uganda is a nonprofit organization which collects used pianos in Britain and lends them to schools in Uganda. The Newsletter of the Kampala Music School proudly noted in July 2002 that Ivan became one of the program’s first two successes when he began his studies on a full scholarship at Wells Cathedral School in January 2000. Though still in school, Ivan has already performed widely in Europe and Africa.

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